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RIAA Drops Effort To Sue Song Swappers E-mail
Friday, 19 December 2008 20:24

The AP is reporting that after many long years, the RIAA has abandoned its policy of suing people for sharing songs protected by copyright. Instead however it will work with ISP's to try and cut off thoes who are comiting the infringement.

 

According to the article, the RIAA has sued some 35,000 people since the program started in 2003, which the RIAA got an average of $3500 per lawsuite.

 

"We're at a point where there's a sense of comfort that we can replace one form of deterrent with another form of deterrent," said RIAA Chairman and Chief Executive Mitch Bainwol. "Filing lawsuits as a strategy to deal with a big problem was not our first choice five years ago."

 

The new system according to the RIAA is a lot more effectint, having sent out more notices in the last 5 months then lawsuites they have filed since 2003.

 

"It's much easier to send notices than it is to file lawsuits," Bainwol said. 

 

Read the article here: http://www.google.com/hostednews/ap/article/ALeqM5gfmThZ1bZlDu064ld5mXyNTzTWfwD95671K80

 

 

 
RIAA gets a fight from Harvard Law School E-mail
Monday, 15 December 2008 10:59

Boston University grad student, Joel Tenenbaum is being sued for $1,000,000 for downloading seven songs which the RIAA wants $160,000 per song for. Luckly for Tenenbaum, Harvard Law School has something called the CyberOne Program which has taken steps to countersue in an attempt to stop the abuse of the legal system by the RIAA.

 

According to the CyberOne website, found here, this case is being done not for the purpose of recovering compensation for actual damage caused by Joel’s individual action, nor for the primary purpose of deterring him from further copyright infringement, but for the ulterior purpose of creating an urban legend so frightening to children using computers, and so frightening to parents and teachers of students using computers, that they will somehow reverse the tide of the digital future.

 

Joel seeks damages to compensate for the actual damage RIAA has done to him and his family. He claims the right to trial by jury including the right to offer proof and argument to the jury about what is right and what is wrong on both sides of this case. In the face of the onslaught the plaintiffs have imposed and are continuing to impose upon him he seeks justice from both judge and jury. At core his defenses and counterclaim raise a profoundly conceptual question: Is the law just the grind of a statutory machine to be carried out by judge and jury as cogs in the machine, or do judge and jury claim the right and duty and power of constitution and conscience to do justice.

 

The below is excerpted from their defense of their counterclaim against the RIAA and the music companies that back it, and gives a pretty good idea of the stakes involved, and what Joel is up against

 

Other schools are also helping thoes students that are in trouble, earlier we reported the Internet and Intellectual Property Justice Project by the University of San Francisco School Of Law  

 
Innocent infringement defense by 16 year old to RIAA E-mail
Saturday, 09 August 2008 16:00

In Maverick v. Harper, a case out of Texas, the RIAA has been pursuing a defendant who was 16 years old at the age of her crime, which she admitted to at the time.


The defendant is using a “innocent infringement” defense, which would reduce damages down to $200 per infringement instead of $750+.


The response to the motion for summary judgment comes down to one of two things, accept $200 per infringement or goto trial :


Plaintiffs request the statutory minimum damages of $750 per work rather than a calculation of actual damages. Defendant contends that due to her age—sixteen years old at the time of the infringement—and technological experience, she did not intentionally violate Plaintiffs’ copyrights and should therefore be considered at most an innocent infringer.


The damages provision of the Copyright Act provides that a plaintiff may elect to seek
minimum damages of $750 per work. 17 U.S.C. § 504(c)(1). However, it also provides that “where the infringer . . . was not aware and had no reason to believe that his or her acts constituted an infringement of copyright, the court in its discretion may reduce the award of statutory damages to a sum of not less than $200.” 17 U.S.C. § 504(c)(2). The defendant has the burden to prove the lack of intent necessary for innocent infringement. Id.


As evidence of her “innocent” infringement, Defendant presents a signed affidavit stating that before the lawsuit, she “had no knowledge or understanding of file trading, online distribution networks or copyright infringement.” In addition, Defendant stated that “Kazaa and similar products did not inform me that the materials available through their service were stolen or abused copyrighted material and I had no way of learning this information prior to this lawsuit.” (Id., at 13). Plaintiffs contend that by complying with 17 U.S.C. § 402 and placing notices on each the containers and on the surface of the compact discs of the Recordings, they have provided notice such that Defendant could have learned that the Recordings were copyrighted. This argument is not completely satisfactory. In this case, there were no compact discs with warnings.


The Copyright Act provides that “[I]f a notice of copyright . . . appears on the published phonorecord . . . to which a defendant had access, then no weight shall be given to such a defendant’s interposition of a defense based on innocent infringement” unless the infringement was believed to be fair use. 17 U.S.C. § 402(d). Although the Fifth Circuit has not addressed this issue directly, the Seventh Circuit has found that an innocent infringer defense did not apply in a case where the defendant “readily could have learned, had she inquired, that the music was under copyright.” BMG Music v. Gonzales, 430 F.3d 888, 892 (7th Cir. 2005). Defendant, relying on Electra Entertainment Group v. McDowell, a case involving a thirteen-year-old girl, argues that her age and knowledge of technology alone should be sufficient to introduce a genuine issue of material fact as to innocent infringement. The McDowell Court held that a genuine issue of material fact was present as to the defendant’s access to the copyright notices. See Electra Entertainment Group Inc. v. McDowell, No. 4:06-CV-115 (CDL), 2007 WL 3286622, at *2 n.2 (M.D. Ga. Nov. 6, 2007).


Although proper notice was provided on the cover of each of the Recordings, a question
remains as to whether Defendant knew the warnings on compact discs were applicable in this KaZaA setting. Defendant admitted that she owned compact discs. However, both in her affidavit and in her deposition, Defendant claimed that she believed using KaZaA and similar products to be akin to listening to radio over the internet and did not know that the Recordings were being either downloaded or distributed. She further claimed that prior to this lawsuit, she did not have any understanding of copyright infringement.


At the summary judgment stage, all factual disputes must be construed in the light most favorable to the non-moving party—in this case, Defendant. Anderson, 477 U.S. at 255. Defendant has the burden of proving by a preponderance of the evidence that her actions constituted innocent infringement. 17 U.S.C. § 502(c)(2). Plaintiffs have not introduced any evidence to contradict that Defendant did not have an understanding of the nature of file-sharing programs and copyright sophisticated enough to have reason to know that her actions infringed Plaintiffs’ copyrights. Therefore, the Court finds that a fact issue exists as to whether Defendant was an innocent infringer.

 
Here is a list of 40 people who “may have” downloaded pirated software E-mail
Friday, 08 August 2008 00:09

Tufts University was recently asked by the RIAA to link IP’s with users of the computer. The problem in this case is as many as 40 people may have used the computers in question.

 

While most of the time these requests are a bit more reasonable (2-3 student possibilities, i.e ip is from a dorm room), such a public station and disclosing all student information becomes a privacy problem according to an article at ars.

 

From the article:

Under a March court order, Tufts (and other schools and ISPs in that particular district) are supposed to provide the court with a list of all possible matches when unable to determine the identity of the user sought by the RIAA to a "reasonable degree of technical certainty." The judge then reviews the list and makes a determination on how to proceed. In the case of Zomba Recording v. Does 1-11, Tufts argues that there are just too many possible users involved, which has implications for this particular RIAA fishing expedition.

 

While Tufts can tie three IP addresses to particular MAC addresses with reasonable certainty, two of the other IP addresses fingered by MediaSentry could have been used by as many as forty users during the time in question. "It is therefore difficult to conclude with any reasonable level of certainty that any one of those users was actually using the IP address in question at the relevant time," writes the university. "We believe, in these two instances, that it would be unfair to identify all possible individuals meeting the plaintiffs' criteria, given the low likelihood of identifying the guilty party."


http://arstechnica.com/news.ars/post/20080806-2ip-addresses-40-matches-tufts-tries-to-cut-riaa-driftnet.html

 
RIAA Comments On FCC Decision Affirming Ability Of ISPS To Address Piracy E-mail
Thursday, 31 July 2008 16:00

WASHINGTON - The Federal Communications Committee issued an order today that clarifies the ability of ISPs to address piracy over their networks. Recording Industry Association of America Chairman & CEO Mitch Bainwol offered the following statement.


 “The FCC proceeding concluding today has generated a healthy and appropriate debate about how ISPs should manage their networks.

There is no longer any doubt that ISPs have the right to use network management tools to address unlawful activity – including the theft of copyrighted music.

We applaud Chairman Martin's clear affirmation that ISPs may use technology to prevent the theft of copyrighted works.

There is a crystallizing consensus among governments around the globe that ISPs should be taking affirmative steps to address piracy on their networks. It is our hope and expectation that ISPs here will accelerate their efforts to work with us to address online piracy.”

 


#####

The Recording Industry Association of America is the trade group that represents the U.S. recording industry. Its mission is to foster a business and legal climate that supports and promotes our members' creative and financial vitality. Its members are the record companies that comprise the most vibrant national music industry in the world. RIAA® members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States. In support of this mission, the RIAA works to protect intellectual property rights worldwide and the First Amendment rights of artists; conducts consumer, industry and technical research; and monitors and reviews state and federal laws, regulations and policies. The RIAA® also certifies Gold®, Platinum®, Multi-Platinum™, and Diamond sales awards, as well as Los Premios De Oro y Platino™, an award celebrating Latin music sales.


Contact:
Jonathan Lamy
Cara Duckworth
Liz Kennedy
202/775-0101
 

 


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